Vol. 9 No. 1 (2022)

View Vol. 9 No. 1 (2022)

Published: 2022-01-14

Research articles

To the Horizon and Back Notes on Visual Arts and Landscape: Concept, Development in Europe and Contemporary Production in Spain

María José Carrilero Cuenca, Elisa Lozano Chiarlones

1-16
- PDF (Español (España))
DOI: https://doi.org/10.37467/gkarevvisual.v9.2716
Sports Communication and Social Networks Streaming the Olympic Games on Rtve.es Twitch

Aida María De Vicente Domínguez, Javier Sierra Sánchez

17-28
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DOI: https://doi.org/10.37467/gkarevvisual.v9.3074
The City in Cinema: Referenciality throughout the Filming Stages

David Caldevilla-Domínguez, Almudena Barrientos-Báez, Manuel Blanco-Pérez

29-47
- PDF (Español (España))
DOI: https://doi.org/10.37467/gkarevvisual.v9.3084
The New York City tale in the urban filmography of Woody Allen

Marta de Miguel Zamora

49-68
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DOI: https://doi.org/10.37467/gkarevvisual.v9.3072
The Right to the City Centre Urban Culturalization Strategies as Modelers of the Uses of Historic City Centres

Rita Henriques

69-82
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DOI: https://doi.org/10.37467/gkarevvisual.v9.3090
Festivals and Decorations on the Occasion of the End of the Third Carlist War The Arch of the Major Street, Liturgy, Functions and Iconography

Antonio Rafael Fernández Paradas

83-99
- PDF (Español (España))
DOI: https://doi.org/10.37467/gkarevvisual.v9.3060
The Representation of the Figurative Movement as a Civilizing Strategy of Egyptian Art The Figuration of Private Tombs Before and After Amarnian Art

María Isabel Hernández Figueroa

101-122
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DOI: https://doi.org/10.37467/gkarevvisual.v9.2859
Representation of Madrid and Barcelona in Films During the Spanish Transition

Váleri Codesido, Francisco García García, María Luisa García Guardia

123-135
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DOI: https://doi.org/10.37467/gkarevvisual.v9.3192
Filmic-dialectal frustration in the world of Almodóvar Approaches and Analysis of the Subversive Untranslatability in Two 1980s' Feature Films by Pedro Almodóvar

Jordi Macarro

137-150
- PDF (Español (España))
DOI: https://doi.org/10.37467/gkarevvisual.v9.3068

Critical reflection articles

The Death of Photograph, the Day After Alterations of Reality and Experiences Created by Technological Advances

Juan Pablo Méndez Moreno

151-165
- PDF (Español (España))
DOI: https://doi.org/10.37467/gkarevvisual.v9.2908
Viewing the animal De-ontologizing the anthropology of otherness

Julián García Labrador, Stéphane Vinolo

167-184
- PDF IN FRENCH
DOI: https://doi.org/10.37467/gkarevvisual.v9.3119