Vol. 11 No. 4 (2022): Monograph: "Cinematographic and Television Languages: their Forms and Contents"

View Vol. 11 No. 4 (2022): Monograph: "Cinematographic and Television Languages: their Forms and Contents"

Coordinated by:

Enrique Vaquerizo Domínguez and Diana Sánchez Serrano

Published: 2022-11-14

Special Issue Articles

  • Audiovisual journalism and technological innovation The QR codes on Spanish television

    Manuel Jesús Cartes-Barroso
    1-13
    DOI: https://doi.org/10.37467/revvisual.v9.3687

  • Netflix incorporates advertising into its business model Pre-roll and the alliance with Microsoft as a solution to its stock market debacle

    Fernando García-Chamizo, Javier Miranda García
    1-13
    DOI: https://doi.org/10.37467/revvisual.v9.3692

  • The selective and meticulous use of color in cinema Enhancing the emotional and dramatic values in the narrative

    Jaime Neves
    1-11
    DOI: https://doi.org/10.37467/revvisual.v9.3698

  • Redefining space in immersive films: narrative fiction 360º videos

    Víctor Manuel Barbera Hernández
    1-11
    DOI: https://doi.org/10.37467/revvisual.v9.3685

  • Analysis of Quiz as programmatic strategy of Neo Television in Spain

    Sara Gallego Trijueque, Carlos Oliva Marañón, Vanesa Cejudo Mejías
    1-11
    DOI: https://doi.org/10.37467/revvisual.v9.3690

  • Case study of the export of the regional cinema model in Africa

    Guillermo Mejías Martínez
    1-9
    DOI: https://doi.org/10.37467/revvisual.v9.3696

  • The construction of characters with disabilities in film The importance of verbal and non-verbal communication

    Laura Sanz-Simón
    1-16
    DOI: https://doi.org/10.37467/revvisual.v9.3701

  • Suspiria. Mythical imaginaries of the terrible mother The abject and corporeal in the horror films of Luca Gudagnino

    Azul Kikey Castelli Olvera
    1-17
    DOI: https://doi.org/10.37467/revvisual.v9.3688

  • Augmented reality in the news discourse on La Palma volcano The examples or TVE and RTVC

    Mercedes Herrero de la Fuente, Carlos Jiménez Narros, Miriam Puelles Gutiérrez
    1-10
    DOI: https://doi.org/10.37467/revvisual.v9.3694

  • Cultural glocalisation in the era of video on demand Content diversity in Netflix, HBO and Prime Video

    Josep Pedro
    1-13
    DOI: https://doi.org/10.37467/revvisual.v9.3699

  • Painting and Visual Construction in El Ministerio del Tiempo. Las meninas as a study case

    Mónica Barrientos-Bueno
    1-9
    DOI: https://doi.org/10.37467/revvisual.v9.3686

  • Cultural journalism and disability in cinema A view of its historical evolution through specialized critique

    Manuel García-Borrego, María Eugenia González-Cortés
    1-16
    DOI: https://doi.org/10.37467/revvisual.v9.3691

  • Sabías a lo que venías and The Tonight Show Similarities and influences

    Paula Meliveo Nogués, Carmen Cristófol Rodríguez
    1-15
    DOI: https://doi.org/10.37467/revvisual.v9.3697

  • Filmic discourse and sociocultural dimension in the film Wiñaypacha

    Yudi Janeh Yucra Mamani, Walker Ernesto Aragón Cruz, Dulio César Palomino Asqui
    1-29
    DOI: https://doi.org/10.37467/revvisual.v9.3702

  • The Detective as (Academic) Interpreter: A Reconsideration of Murder by Death

    Emilio José Álvarez Castaño
    1-7
    DOI: https://doi.org/10.37467/revvisual.v9.3684

  • Spaces, voices, and acting Mapping of the “Fantastique” filmed in Madrid

    Gema Fernández-Hoya
    1-16
    DOI: https://doi.org/10.37467/revvisual.v9.3689

  • Film Festivals Jury Committees and Quality Cinema Case study of the San Sebastian International Film Festival

    Montserrat Jurado-Martín
    1-11
    DOI: https://doi.org/10.37467/revvisual.v9.3695

  • Hybrid processes in experimental animation

    Jesús Pertíñez López, Concepción Alonso Valdivieso
    1-9
    DOI: https://doi.org/10.37467/revvisual.v9.3700